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Named one of SPIN’s 2012 CMJ “Next Big Things” & 2013 SXSW “Hottest Acts”

“Melding Sonic Youth’s mangled guitars and monotonic vocal sensibilities with a taut and measured rhythm section, these Brooklynites manage to tap into an ever-expanding history of blown-out guitar rock and laconic vocals without feeling like a rehashing of rock’n’roll’s recent past.”¬†– Colin Joyce, SPIN

10/10 star review: “The great thing about Want is how different it sounds from everything and not in a reactionary sort of way… They aren’t trying to sound original or better than the rest of the bands coming out of Brooklyn, they just are. Essentially Want is the kind of album that rock music was invented for.”¬†– Tim Baker, SYFFAL

“Their unique sound grafts dark romantic Cure-like post punk onto a wall of fuzzed out guitars with poppy melodies that bloom from the cracks within.”¬†– Atlas And The Anchor

“Lightouts have the presence and experience to be something HUGE.”¬†– LX-GOODS

It started with a want ad, plastered across the board of a post-industrial space near Brooklyn’s infamously filthy Gowanus Canal. The request? Quite simple: “Robert Smith / Emily Haines, where are you?” The sort of thing you’d expect from a Metric fan who, as a kid growing up in New Mexico, fell under the spell of the Cure’s often bleak, yet always beguiling music at a time when riff-raking guitar heroes were all the rage.

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“People would say, ‘Why would you want to play like Robert Smith?,'” explains Lightouts founder Gavin Rhodes, last heard in one-man band Honeypower. “‘Wouldn’t you rather learn how to shred instead?”

No, not really. Better to become the backbone of a fuzz-toned band in the mold of the Jesus and Mary Chain with vocals that recall David Bowie’s most spirited moments. Enter Greg Nelson, the only sane person to answer Rhodes’ call.

Nelson was exactly what Lightouts needed: A seasoned natural at toeing the line between darkness and light. For proof of the man’s formidable vocal chops, listen no further than to his sensual croon and sky-scraping wail on the verses and choruses of “See Clear,” the band’s sledgehammering debut single from 2011.

Fast-forward through the release of four ensuing singles — each a brilliant, hook-laden monster — plus dozens of live shows, press adulation from the likes of The Village Voice, SPIN, and Magnet, and the recruitment of an airtight rhythm section in the form of Dean Perry (bass) and Josh Fleischmann (drums). What began as an¬†instrument-swapping duo is now a full-on power quartet, a development that’s set the stage for the March 2013 release of Lightouts’ first LP, Want.

A loosely linked concept album based around the idea of following forward-moving instincts while trying to keep certain desires in check, Want features a 13-track lineup that draws liberally from Lightouts’ catalog of short-form releases to include all the band’s singles and accompanying B-sides to date. Three new cuts bookend and bisect Want, including the sucker-punch title tune that arrives ten tracks in. Rhodes calls it “the most collaboratively written song on the album, in contrast to me writing most of the other tracks, apart from the vocals.”

Why the wait for Lightouts’ first full-length release? “This was always our plan,” says Rhodes. “We wanted our debut album to come after we’d established ourselves as a band that made music worth listening to.”

There’s little doubt Want is a clear thoroughbred in 2013’s best debut album horse race, and Rhodes, Nelson, and Perry are justifiably proud of their two years of work. They’re also less than shy about paying homage to their strongest influences, buried in melodic distortion as they may be. For sonic proof, seek out the band’s singles for phenomenally reverent updates of deep cuts by The Stone Roses, The La’s, Guided By Voices, The Cure (of course), and not least of all, a devastating mash-up of LCD Soundsystem’s “All I Want” and Bowie’s “Heroes.”

Rhodes elaborates: “While we’ve been compared to everyone from The Hold Steady to Surfer Blood, it’s no secret that many of our touchstones are acts from the early ’90s.”

“I like bands who sound like Animal Collective and Yeasayer,” admits Nelson. “But we’re not part of the new primitive movement, you know? We’re after something tighter and more structured.”

“Like Smashing Pumpkins,” adds Rhodes. “When they were good.”

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Press Releases

Brooklyn Band’s Post-Punk Chug-Rocker Chosen As The Song Of The Day By Seattle’s Iconic 90.3 KEXP
The Indie/Fuzz, Brooklyn-Based Band Shares Maxi-Single Debuted by Indie Rock Cafe
Gowanus-Based Band Announce Maxi-Single For March 10th Release, Share Cover of Joy Division Demo, Premiered by Diffuser
Death and Taxes Debut Punk-Inspired Lightouts Track
Myspace Premieres New Video From Gowanus Rockers Lightouts
Lightouts Chart On CMJ For First Time / NYC Record Release Show
SPIN, SYFFAL, AOL Spinner & More Debut Lightout’s First Album
Adrien Grenier’s WRECKROOM.tv Presents¬†Lightouts¬†Performance Of Title Track From Upcoming Album
SPIN Premieres “Not Today” Video
The Music Ninja Debuts New Single, “The Big Picture”
Filter Magazine Premieres Latest B-Side, “Stray Boy”
Lightouts Cover The Cure; Song Debuted by Impose
SXSW Showcase Announced
MTV Hive Debuts Rocking Single “The Cure For Shyness”
Matador Records Gives Props to Guided By Voices Cover
Village Voice’s Sound of the City Premieres “Darkly Sexy” New Video from Lightouts
B-Side To Second Single Explores The Psychedelic Side Of Fuzz Pop
Lightouts Drop Deep Cut Cover From The La’s
Second Single Featured As AOL Spinner’s MP3 of the Day
Gowanus Duo Channel Influences and Inspirations on Spirited Stone Roses Cover
Debut Single Reveals Burgeoning Gowanus Indie Scene

Press Photos

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